SOP
Garments Quality SOP
Garments quality SOP is the standard operating procedure for quality control in Garments manufacturing. Setting Standard procedure for garments is very much important to get up to the mark of readymade garments. In a garments quality SOP, a clear description for every working system and requirement to get the best possible result is written. Following SOP, we can do any work in a standard way and know what to do to complete the whole operation. Garments buyer also gives SOP for handling their order. It is makers responsibility to follow while making their garments. Every garments factory has own SOP for every process they are involved with. Basically, a garments quality SOP is the written guidelines of standard procedure to do a particular work for making garments. Time to time standard process may change because garments involve with making different garments different times. Actually, a good standard operating procedure increases productivity by reducing the system loss or operating losses. In a garments factory a quality control department is responsible for ensuring the best quality of garments, so they always follow a standard process for monitoring and controlling process and products.
Quality Control Manual of Garments
Every factory has their own policy to control quality to get a better product. Everything is to be written in a document; how to control quality and how to get the best quality product. For quality control, this document is known as a quality manual, which is followed by each and every company in the apparel industry. A complete quality control manual of garments factory actually increases the effectiveness of quality control by providing guidelines to the related parties. Here in this article, you will find a complete quality control manual of a typical Garments Industry. After reading this, you will have detail idea of a complete quality manual of a garments factory.
A) Sampling
1. Styling Sample
At first, we need to make styling sample for getting styling approval as per buyer’s specification, fitting & workmanship. Everything we need to follow as original sample & comments. For styling sample, we give fabric & accessories similar to original color or approved lap dip. We, make a paper pattern of sample size as buyer requirement. As per styling sample comments, we make the size set pattern.
2. Size Set Sample
Size set sample covering all size & covering all size & color. All actual fabric & accessories are used for styling sample. Must adjust the pattern as require fittings, grading, workmanship according to approval specification & comments.
3. Pre-Production Sample (P.P Sample)
For the final configuration of styling fitting & workmanship, before state production we make another size set sample covering all size & color for approval. After receiving p.p sample comments, manufacturer meet all of buyer requirements, then start bulk production.
4. Counter Sample
In every step of sampling, we kept a counter sample with marking the sample name. Pre-production sample counter should follow with p.p comments for bulk production. We make the copy of p.p sample with comments to give every line in production.
5. Shipment Sample
Shipment sample has to prepare for buyer 15 days before shipment covering all size & color with all actual accessories. These requirements very buyer to buyer. we always fulfill our buyer’s requirements.
6. Trial Cutting
We cut 60 pcs of garments as a 1st trail to see the measurement. If any correction is required then we do it accordingly. For the safety, we again cut 300 pcs of garments as 2nd trail cutting. After full confirmation, we start bulk cutting.
7. Pilot Run/Size Run
A pilot run is a small cut across all sizes & colors that will identify & potential problem in manufacturing prior to the factory cutting bulk. The inspection of the pilot run should be carried out by the factory Quality Control (QC)
8. Pre-production Meeting (PPM
The Pre-production meeting should be held to review all aspects of production. It should be held after PP sample has been approved & sealed. Line managers should attend this meeting which should be facilitated by production head and attended by PP sample maker.
The meeting agenda should include style file checklist, production T & A plan, PP sample and comments review and other aspects of the manufacturing run which could impact garments of the manufacturing run which could impact garment Quality and delivery. The factories in-house documentation/from is also acceptable.
B) Warehouse/Store
1. Accessories Inspection
We inspect 1.5 AQL/10% of accessories as per packing list quantity, by store Q.I we use quality manual. Q.I checks the accessories quality & safety issue. And write down the information about quality, safety issue & short excess quantity. For that, we can take an effective action from the very beginning.
Fabrics Procedure
Fabric inspection
We import 10% of fabric as per receiving quantity. we make the fabric lot in various stages, these are like:
- Without Inspection. (Those are not yet starting inspection)
- Inspection running. (Inspection running but yet not finish)
- Quality pass. (That means permitted for cutting)
- Rejected lot. (Not permitted for cutting)
- Held up. (Waiting for a decision from buyer side or supplier)
We inspect fabric by a 4-point system, where 40 point is our acceptable range. Q.C inspects fabric and gives the report. As per inspection report, we take a final decision. Point rating for inspection is given below:
- 0 to 3″ defects = 1 point
- Over3″ to 6″ defects = 2 point
- Over3″ to 9″ defects = 3 point
- Over 9″ defects = 4 point
- Any hole = 4 point
2. Blanket Making
For every style, it is washed or non-washed, we make a blanket to see the fabric shade & variation of color. We mark rejected roll on that one, which is out of color standard. We divide the toll as per shade wise to ensuring shade wise cutting.
Shade Blanket
Objective
- To find or all shade from bulk fabric for shade band making. Shade band to be made base on the outcome of shade blanket.
- To evaluate bulk fabric shade before bulk production to ensure all shade lots within an acceptable range
MAKING METHOD
- Shade blanket to be made once bulk fabric available in factory
- Each roll of bulk fabric to be cut an 8″(weft) x 6″ (warp) swatch for shade blanket making
- Roll number to be marked on the back side by textile maker pen
- Join all fabric swatches together by overlock stitch then join the left-right side to make a blanket in leg panel form
Shade Band
OBJECTIVE
- To set up an acceptable shade range for factory bulk production guideline.
- To find out off shade & solve a problem at the earlier stage before bulk production.
Shade Band Making Method
- Shade band must be submitted before bulk production is started.
- Each shade let made two set of leg panels for buyer approval.
- Leg panel dimension is to be (8″half x 16″)
- Whenever the handstand/Ppspray effects are presented in the standard, they should be demonstrated on one side of the leg panels.
- A pocket to be sewn on one side of the leg panel
- Leg panel to be washed same as the bulk washing
- Achieve shade as close as the washing standard
- Half/Cut leg panels are not acceptable for approval
Shrinkage & Distortion Testing
The Objective of Shrinkage Testing
- To determinate bulk fabric shrinkage for paper pattern adjustment to ensure washed garment measurement meet with the size space.
- To determinate whether the fabric shrinkage fulfills buyer requirement at the earlier stage before bulk production.
The Objective of Distortion Testing
- To determinate whether the fabric skew movement is fulfilling buyer requirement at the earlier stage before bulk production
- Defect twisted issue before bulk production
Shrinkage Testing Method
- Shrinkage & Distortion testing to be done once the bulk fabric is in-house
- Shrinkage & Distortion testing could proceed with the same template at the same time with the same yardage.
- For normal fabric, minimum 10% of bulk fabric is being tested.
- For low stretchability fabric, minimum 30% of bulk fabric to be tested.
- For high stretchability fabric 100% of bulk, fabric to be tested
- Please refer to the purchase order to determine bulk fabric is high stretchability fabric or not.
- Specimen for testing to be selected for each dyeing lot.
- 100% test when shrinkage in bulk fabric is unstable. Such as part of fabrics shrinkage exceed the tolerance, shrinkage range is too wide in the same lot of bulk fabric.
- Specimen for testing must be fully relaxed before marking.
- Mark two 50 cm x 50 cm squares (Minimum) on specimen’s left, right.
- Specimens must be washed as bulk production; no ironing /pressing/steaming on the washed specimen for shrinkage test result.
- Measure the length difference between the before wash and after a wash in weft & warp
- Convert in percentage
- Take the average of the 2 parts
- For distortion test result
- Measure the length of diagonal (AC & BD) after wash
- Calculate the percentage by using below formula X =100x[2(AC-BD)/(AC+BD)]
- Show 2 parts results, do not take the average
- None of them can exceed buyer requirement :3%
For Example:
When AC is 70 cm & BD IS 72 cm
X =100x [2(70-72)/ (70+72)]
X =100x [2(-2)/ (142)]
X=100X0.028169
X=-2.8169(Acceptable, with intolerance)
When AC is 73 CM & BD is 69 cm
X=100x [2(73-69)/ (73+69)]
X=100x [2(4)/ (142)]
X=100×0.056338
x=5.6338(Unacceptable, with intolerance)
C) Cutting Inspector’s Instructions
Spreading: The Quality Control inspector should check the work of each spreader for the following
Placement of Marker: Check and verify so that the marker is sited on the range with the brink matching to the selvage of the piece goods. Also, you need to Confirm that all cut pieces will be finished properly.
Shading: A control system should have for checking of shading if all parts are ply marked.
Table Marks: Table is be marked so check the table marks and please do not allow any splices.
Markers: Make sure that there are no makers with creased or overlapped parts in the markers.
Splices: After spreading is finished then check the splice laps that both plies extend past the marked splice by less than 1/2 (half) inch and not more than 1 (one) inch.
Narrow Goods: After completion of the spread, check the “far edge” of the spread to see that all plies extend beyond the marker line.
Tension: Check tension during spreading. This is very important on knit fabrics
Count: Check the count after completion of spreading, and before cutting. Count all plies at both ends. There is no tolerance.
Leaning: Check carefully to ensure that one edge of the fabric is square to the tabletop. Visually inspect the alignment of the edge with the table top.
Record spreading defects by the number of defects found for each checkpoint. For fabric utilization purposes, the sample form includes columns for edging end and remnants.alculate the defect rate for the spreader by dividing the number of defects found by the height.
Cutting: The quality control inspector should check each cutter at a 2.5 acceptable Quality Level (A.Q.L) based on the number of parts being cut.
The Quality control inspector should check for
Miscut: Check for miscut or the failure of the cutter to “split the line “Tolerance is 1/16” Report all defects for miscut to the cutting foreman (Supervisor)
Matching: Plies check the top ply with the bottom ply. Compare both to a hard pattern or the paper marker Comparison to a hard pattern is best. Tolerance is +- 1/8”. Report each defect found to the cutting foreman(supervisor).
Rugged Cutting: Check for rugged cutting according to the standards for your product. This a judgment defect. It is more important on critical parts if the part has to be recut, it is a defect.
Notches: Check the notch location by placing the pattern over the top ply. Tolerance is +- 1/8″ If the botch is more than 1/8″ off. Contact the cutting foreman (supervisor).
Pattern Check: Compare the pattern to maker paper to ensure that the maker was correct.
Record cutting defects on a cutting quality control form along with the number of bundles examined. To calculate the defect rate for cutting, divide the total defects found by the number of bundles checked.Often changes are made to patterns to adjust for production problems. Some suppliers note such changes on the pattern and/or maker for the cutter to correct. Do not allow such a policy. Preventive measures are the best control for quality. Make a new pattern with the correction.D) Sewing100% in Line Q.I AuditWe follow root canal system in sewing. For that, we analyze the source & reason of defects and take preventive action as per the root cause. Q.I checks 100% incomplete garments of quality control manual. Q.I writes the operator name & I.D in the format and make that, how many defects she has done in one hour and then one day. And this daily total result is added for monthly summarization for the quality evaluation process. The hourly defects record is very important for root cause analysis. If anyone of Q.C sees the hourly record, he can easily imagine that what is going on & what have to do?
100% End Line Audit
End line Q.I checks 100% garments. Q.I writes down the name & ID no of operators & keeps an hourly record of defects. So that we can easily identify the most defective operation and take preventive immediate action. We compare both reports of inline & end line to see the efficiency of Q.C, either he is doing proper work or doing homework.
In-house Q.C Check
An in-house audit is another station audit done by line Q.C we do that for the more safety. When comes first output, Q.C check the styling & the statistical audit to find out any mistake which has done in sewing. In finishing a section, finishing Q.C will again do the statistical audit for find out any error, which has done in finishing section. For that, we can solve any problem from the very beginning.
E) Finishing Procedure
After Receiving From Wash
After receiving from wash we start finishing the procedure, at the same time we press covering all size & color to see the measurement, wash standard, hand fill & any wash defect by wash factory. Also, carton & poly, measurement ensure by the first production.
Trimming
Trimming is a most important thing of quality issue. For that, we establish a trimming section to strictly control the uncut thread. We don’t allow tread end over 3 mm. We should take care of trimming throughout the stitching process. Final trimming is done in the finishing area before packing.
Inside Checking
A large quantity of Q.I recon check 100% garments, process-wise in the side of garments. They ensure that no defect & uncut thread inside of the garments. For every Q.I give their personal Q.C pass number inside of the pocket.
Thread Shaking
For removing the loose thread & number sticker garments we use thread shaking machine.100% garments go finishing area through the thread shaking action.
Preliminary Top Side Checking
In finishing section Q.I person check 100% garments, process-wise top side of garments. They ensure that no defect & uncut top side of the garments. For that every Q.I give their personal Q.C pass no inside of the pocket.
Pressing
We have a gas steam boiler for clean ironing. We use the iron shoe to avoid the shining mark. For the perfection, we press a garment two time. One is called preliminary pressing & another is called repressing. This has after final & getup checking.
Final Checking
After preliminary pressing Q.I person check topside of whole garments. They ensure that no defect, spot & uncut thread top side of the garments. For that every Q.I give their personal Q.C pass no inside of the pocket.
Measurement Check
100% garments should a measurement check before packing. Measurement defects garments should not advance for packing. Defect means out of tolerance, if it can rectify, it will be pack otherwise it will be count as a reject.
Getup Checking
Q.I check there is something odd looking at a glance in whole garments, like out of shape, spot, poor pressing and mainly checks any missing of a hand tag price tag, and size tag. And match the barcode number, bar, wording everything with the approval trim card.
Re-pressing
Re-pressing is needed to recovering the damage by Q.C handling. We do this for an attractive outlook.
Metal Detection
There is no perfection to enter any okay garments without metal detector machine checking. We sent all okay garments to packing section through metal detector machine. Packing section is isolated by gatekeeper system. Our detection standard is 1.0 mm diameter sphere of ferrous metal. We keep 100% record of metal detection.
Ratio & Shade Checking
Before seal, the carton Q.C check the ratio & garments shade that, the ratio & garments shade is as per buyer requirement & same shade in one carton. If both thinks are okay Q.C give a sign inside of carton, then the carton should seal in front of Q.C.
Pre-Final Inspection
There is an in-house pre-final audit for self-confirmation, done by the chief quality controller. He audits by 2.5 A. Q.L as receiving the Q.C pass report we offer for final inspection. Our A.Q.L chart is shown as bellow.
Hopefully, after reading this you already understand that how you can maintain a better-quality control. If you follow this type of manual and make your own manual for each section of your garments factory then it will be easy for you to ensure a quality production.
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āĻāϰ āĻāĻāύো āϤুāĻŽি āĻāϰে āĻāĻĒāύ āĻেāĻŦāύা
āĻŦেāύাāϰāϏি āĻļাāĻĄ়ি āĻĒāĻĄ়ে āϝাāĻŦে āϝāĻāύ āĻĒāϰেāϰ āĻāϰে
āĻāĻŽাāϝ় āĻেāĻŦে āϤāĻāύ āϤুāĻŽি āĻāώ্āĻ āĻĒেāĻāύা
āĻāϰ āĻāĻāύো āϏ্āĻŦāĻĒ্āύ āĻĻেāĻে āύা
āĻাāύি āϝে āĻুāϞ āĻāĻŽাāϰāĻ āĻিāϞ āϏ্āĻŦāĻĒ্āύ āĻĻেāĻা āĻŽিāĻĨ্āϝে āĻšāϞো
āϤোāĻŽাāϰ āĻĒাāĻŦাāϰ āϝোāĻ্āϝāϤা āϝে āĻāĻŽাāϰ āĻিāϞোāύা
āĻāϰ āĻāĻāύো āϏ্āĻŦāĻĒ্āύ āĻĻেāĻো āύা
āϝেāĻĻিāύ āϤুāĻŽি āĻĒāϰেāϰ āĻšāĻŦে āĻāĻŽাāϰ āĻāĻĨা āĻŽāύে āϰāĻŦে
āĻেāĻŦে āύিāĻ āϏে āĻĻিāύāĻুāϞো āϏāϤ্āϝ āĻিāϞ āύা
āĻāϰ āĻāĻāύো āϏ্āĻŦāĻĒ্āύ āĻĻেāĻিāύা
āϤোāĻŽাāϰ āĻাāϞোāĻŦাāϏা āĻŦāϞে āύāϤুāύ āĻāϰে āĻāύ্āĻŽ āύিāϞে
āϏেāĻĻিāύ āϝেāύ āĻāĻŽাāϝ় āϤুāĻŽি āĻুāϞে āϝেāĻ āύা
āĻāϰ āĻāĻāύো āϏ্āĻŦāĻĒ্āύ āĻĻেāĻো āύা
āϝāĻĻি āϤোāĻŽাāϰ āĻāĻ āĻšৃāĻĻāϝ়ে āĻŦাঁāĻāϤে āĻāĻ্āĻা āύাāĻšি āĻāϰে
āϤāĻŦু āϤুāĻŽি āĻŦাঁāĻাāϰ āϤāϰে āϏ্āĻŦāĻĒ্āύāĻুāϞো āύāϤুāύ āĻāϰে
āĻŽāύে āĻāώ্āĻ āύেāĻŦে āύা
āĻāϰ āĻāĻāύো āϏ্āĻŦāĻĒ্āύ āĻĻেāĻো āύা
āύিāĻļ্āĻুāĻĒ āύিāϰāĻŦāϤা āĻŽāύে āĻĒāĻĄ়ে āϤাāϰ āĻāĻĨা
āĻāĻ āϤাāĻ āĻāĻ āĻেāĻŦে āĻŽāύে āύিāϝ়ে āϏāĻŦ āĻŦ্āϝāĻĨা
āĻŦāϏে āĻāĻি āύিāϰ্āĻāύে āĻাāĻŦি āϤাāϰে āĻāύāĻŽāύে
āϏেāĻি āĻāĻāĻাāύে āĻাāĻŦে āĻŽāύে āĻŽāύে āĻŽāύে
āϝāϤ āϏ্āĻŽৃāϤি āĻিāϞ āĻাāĻĨা
āύিāĻļ্āĻুāĻĒ āύিāϰāĻŦāϤা āĻŽāύেāĻĒāĻĄ়ে āϤাāϰি āĻāĻĨা
āĻĻিāϝ়ে āĻšৃāĻĻāϝ়েāϰ āĻ
āύুāĻূāϤি āĻāĻĄ়েāĻি āϝāϤ āϏ্āĻŽৃāϤি āĻļুāϧু āϤাāϰāĻ āĻাāĻŦāύাāϝ় āĻাāĻে āĻĻিāύ āĻāϞ্āĻĒāύাāĻ
āĻāĻŽাāϰ āύা āĻŦāϞা āĻāĻĨা āĻāĻŽে āĻšāϝ় āĻļāϤ āĻŦ্āϝāĻĨা
āύিāĻļ্āĻুāĻĒ āύিāϰāĻŦāϤা āĻŽāύে āĻĒāĻĄ়ে āϤাāϰি āĻāĻĨা
āĻšৃāĻĻāϝ় āĻāĻীāϰে āĻļāϤ āϏ্āĻŦāĻĒ্āύ āĻুāϰে āĻĢিāϰে āĻļুāϧু āϤাāϰāĻ āĻŽāύে āĻāϰে āϤোāϞে āϏুāϰ āĻŦাāϰেāĻŦাāϰে
āĻাāύিāύা āϏে āĻāϤ āĻĻূāϰে āĻেāϞে āĻĒাāĻŦ āϤাāϰে āϏেāĻĨা āύিāĻļ্āĻুāĻĒ āύিāϰāĻŦāϤা āĻŽāύেāĻĒāĻĄ়ে āϤাāϰি āĻāĻĨা
āĻোāϰেāϰ āĻĒাāĻি āĻĄাāĻে āĻāĻŽাāϰ āĻĒ্āϰāĻাāĻŦ āĻšāϤেāĻ
āĻļিāĻļিāϰ āϞুāĻাāϝ় āĻাāϏে āϏূāϰ্āϝেāϰ āĻĻেāĻা āĻĒেāϤেāĻ
āĻāĻŽাāϰ āϏ্āĻŦāĻĒ্āύāϞোāĻে āϤোāĻŽাāϰ āĻāĻŦি āĻĨাāĻে
āĻāĻŽাāϰ āĻĒ্āϰāĻাāϤ āĻšāϤেāĻ āĻোāϰেāϰ āĻĒাāĻি āĻĄাāĻে
āĻāĻ āϤুāĻŽি āĻোāĻĨাāϝ় āĻāĻো āĻোāύ āĻĻূāϰ āĻ
āĻাāύাāϝ়
āĻāĻŽি āĻāĻ āϤোāĻŽাāϝ় āĻুঁāĻি āύীāϞ āϏ্āĻŦāĻĒ্āύেāϰ āĻ িāĻাāύা
āĻŽāύ āĻাāϝ় āϤাāϰে āĻĒেāϤে āĻোāϧূāϞিāϰ āϞāĻ্āύ āϝেāϤেāĻ
āĻোāϰেāϰ āĻĒাāĻি āĻĄাāĻে āĻāĻŽাāϰ āĻĒ্āϰāĻাāϤ āĻšāϤেāĻ
āĻāĻ āĻĻেāĻা āĻĻেāĻŦে āĻি āĻšৃāĻĻāϝ় āĻŦ্āϝাāĻুāϞ āύāĻĻী
āϤোāĻŽাāĻে āϏাāĻĨে āύিāϝ়ে āĻāĻ āĻĒāĻĨ āĻāϞা āĻļেāώ āĻ
āĻŦāϧি
āĻĢিāϰে āĻāϏো āĻāĻ āĻĒāĻĨে āĻāϞো āĻāĻ āĻŽোāϰ āϏাāĻĨে
āĻোāϰেāϰ āĻĒাāĻি āĻĄাāĻে āĻāĻŽাāϰ āĻĒ্āϰāĻাāϤ āĻšāϤে
āĻীāĻŦāύ āĻŽাāύুāώāĻে āĻি āĻĻিāϝ়েāĻে āĻāϰ āĻি āĻĻেāϝ়āύি āĻŦāϞ
āϝা āĻাāĻāύি āϤাāĻ āĻĒেāϝ়েāĻি āϤāĻŦু āĻŦিāώāύ্āύ āĻেāύ āϏ্āĻŦāĻĒ্āύāĻুāϞো
āύাāĻাāĻāϤে āĻāĻāϏāĻŦāĻ āĻĒেāϞাāĻŽ āĻāĻŽি āĻ āĻŽāύোāĻāĻāϤ āĻŽাāĻে
āĻšাāϰাāϤেāĻ āĻšāĻŦে āĻāĻāĻĨা āϝāĻŦে āĻļেāώ āĻŦিāĻĻাāϝ়েāϰ āĻāύ্āĻা āĻŦাāĻে
āϤāĻŦু āĻāĻļা āĻĒুāϰāύ āĻšāϝ় āύাāĻো āϝেāύো āĻিāĻু āĻāĻ āύাāĻšি āĻĒাāĻ
āϏ্āĻŦāĻĒ্āύ āĻĻেāĻি āĻ
āϞৌāĻিāĻ āĻিāĻু āĻāĻŦুāϤāϰেāϰ āĻĒাāĻāύাāĻ
āĻ
āϤৃāĻĒ্āϤ āĻেāύ āϝেāύ āĻāĻি āĻšāϝ়āύাāϤো āĻāĻŽাāϰ
āĻ
āĻĒূāϰ্āĻŖāϤা āϰāĻšিāϝ়া āĻিāϝ়াāĻে āϏে āĻāĻĨা āĻŦāϞি āĻŦাāϰে āĻŦাāϰ
āĻāĻ āϝāĻĻি āĻŽোāϰ āĻ
āύ্āϧāĻাāϰে āĻĒাāĻ াāĻāϤো āĻ āĻāĻā§ āĻŽাāĻাāϰে
āĻেāĻŽāύে āĻāĻŽি āϞিāĻিāϤাāĻŽ āĻāĻŦিāϤা āĻেāĻŽāύ āϞিāĻিāϤাāĻŽ āĻĻেāĻিāϤাāĻŽ āĻāĻāϤ āϤাāϰে
āĻļ্āϰāĻŦāĻŖāĻļāĻ্āϤি āĻšāϰāĻŖ āĻāϰে āĻĒাāĻ াāĻāϤে āϝāĻĻি āϏে āĻŽোāϰে
āĻেāĻŽāύে āĻāĻŽি āĻŦুāĻāϤাāĻŽ āϏāĻŦāĻ āĻŦāϞিāϤাāĻŽ āĻāĻ āϏāĻāϞেāϰ āϤāϰে
āϤāĻŦুāĻ āĻেāύ āĻāĻļা āĻĒুāϰāύো āĻšāϝ়āύা āϤো HETHA
āĻāĻ āĻŽৃāϤ্āϝু āĻāϏিāϞে āĻšāĻŦে āĻি āĻāĻĒাāϝ়ে āϝাāĻŦ āĻāϰ āĻāĻŽি āĻোāĻĨা
āϏāĻ্āĻী
āĻāĻŽāύ āĻে āĻāĻ āĻŽোāϰ āϏāĻ্āĻী āĻšāĻŦে
āĻিāϰāĻাāϞ āĻŽোāϰ āϏāĻ্āĻে āϰāĻŦে
āĻŦিāĻĒāĻĻāĻাāϞে āĻোāĻেāϰ āĻāϞে
āϏে āĻāĻŽাāĻে āύেāĻŦে āϤুāϞে
āĻšāϝ়āϤো āϏেāĻāύ āĻāϏāϤে āĻĒাāϰে
āĻļীāϤāĻাāϞে āĻŽāύেāϰ āĻāϰে
āĻšāĻ াā§ āĻāϰেāĻ āĻĒāĻĄ়āĻŦে āϧāϰা
āĻোāĻেāϰ āύেāĻļাāϝ় āĻāϰāĻŦ āϤাāϰা
āĻাāϞāĻŦেāϏে āĻĻীāϰ্āĻāĻļ্āĻŦাāϏে āĻŦāϞāĻŦে āĻāĻĨা āĻĒাāĻļে āĻāϏে
āĻŦুāĻāϤে āϤাāĻšাāϰ āĻĻেāϰি āĻšāĻŦে āϤāĻŦুāĻ āĻāĻŽাāϰ āϏāĻ্āĻে āϰāĻŦে
āĻāĻŽāύ āĻāϰে āĻŦāϞāĻŦে āĻāĻĨা āĻāĻĨা āϝেāύ āϞাāĻুāĻ āϞāϤা
āĻুāϞāĻŦে āϏেāĻে āĻ
āĻŦāĻļেāώে āĻāĻŽিāϝ়ে āϰাāĻা āϏ্āĻŽৃāϤিāϰ āĻĒাāϤা
āĻĒ্āϰāϝ়োāĻāύāĻŽāύāϰে āĻāϰে āĻŽāύ āĻŦুāĻেāĻিāϏ āĻি āĻāĻāύ
āϏāĻŽāϝ়ে āϏāĻŽāϝ়ে āϝাāĻšাāĻে āĻĒ্āϰāϝ়োāĻāύ
SHE JOKHON DAKE MON āĻāĻো āĻāĻ KI āĻাāϰāĻŖ
āĻŦুāĻেāĻিāϏ KI āϤāĻāύ āϤাāĻšাāĻেāĻ āĻĒ্āϰāϝ়োāĻāύ
āĻĄাāĻিāĻে SE āĻŽোāϰে āĻĒāϰোāϤে āĻĒāϰোāϤে āĻŦুāĻিāύি āĻেāύ āϝে āĻ āĻাāϰāĻŖ āĻāϞাāĻĒāύ
āĻŽāύāϰে āĻāϰে āĻŽāύ āĻŦুāĻেāĻিāϏ āĻি āĻāĻāύ āϏāĻŽāϝ়ে āϏāĻŽāϝ়ে āϝাāĻেāĻ āĻĒ্āϰāϝ়োāĻāύ
āĻŦুāĻেāĻি āĻŦুāĻেāĻি āϤাāĻšাāĻেāĻ āĻĻেāĻেāĻি āĻāĻĒাāϝ় āĻšাāϰিāϝ়ে āϝāĻāύāĻ āĻেāĻŦেāĻি
āĻŦুāĻিāύি āĻŦুāĻিāύি āϤাāĻে āĻুঁāĻে NI āϏে āϝāĻāύāĻ āĻāĻŽাāĻে āĻĻেāĻেāĻে āϤāĻāύāĻ
āĻāĻ āĻāĻ āĻ āĻাāϞে āĻšাāϰিāϝ়ে āϏāĻāϞে āĻĄাāĻিāϤেāĻি āĻ āĻাāϰāĻŖ
āĻীāĻŦāύে-āĻŽāϰāĻŖে āϏāĻāϞ āĻাāϰāĻŖে āϝাāĻšাāĻে āĻāĻŽাāϰāĻ āĻীāĻŦāύে āĻĒ্āϰāϝ়োāĻāύ
āĻŽāύāϰে āĻāϰে āĻŽāύ āĻŦুāĻেāĻিāϏ āĻি āĻāĻāύ āĻীāĻŦāύে āĻŽāϰāύে āϝাāĻšাāĻে āĻĒ্āϰāϝ়োāĻāύ
āϏ্āĻŦāĻĒ্āύ
āϝে āĻāĻŽাāĻে āĻাāϞোāĻŦাāϏাāϰ āϏ্āĻŦāĻĒ্āύ āĻĻেāĻাāϞ
āĻāĻŦাāϰ āϏে āĻেāĻŽāύ āĻāϰে āĻুāϞি āĻāĻি āĻেāϞো
āĻে āϏ্āĻŦāĻĒ্āύ āϤুāĻŽি āĻĻেāĻাāĻāϞা āĻāĻŽাāϰে
āϏ্āĻŦāĻĒ্āύ āĻেāĻে āĻĻিāϞে āϤুāĻŽি āĻāĻŦাāϰ āĻেāĻŽāύ āĻāϰে
āĻāĻāύ āĻāĻŽি āĻāĻা āĻĨাāĻি āĻেāĻŽāύ āĻāϰে āĻŦāϞ
āϝে āĻāĻŽাāĻে āĻাāϞোāĻŦাāϏাāϰ āϏ্āĻŦāĻĒ্āύ āĻĻেāĻাāϞ
āĻŦāϞো āĻি āĻুāϞ āĻিāϞ āĻāĻŽাāϰ āϤোāĻŽাāϝ় āĻাāĻে āĻাāĻāϝ়া
āϏে āĻুāϞেāϰ āĻŽাāĻļুāϞ āĻি āĻāĻ āϤোāĻŽাāϝ় āĻুāϞে āϝাāĻāϝ়া
āĻ āĻāĻĨাāĻি āϤাāĻšাāϰ āϤāϰে āĻĒ্āϰāĻļ্āύ āϰāϝ়ে āĻেāϞ
āϝে āĻāĻŽাāĻে āĻাāϞāĻŦাāϏাāϰ āϏ্āĻŦāĻĒ্āύ āĻĻেāĻাāϞ
āϝāĻĻি āϤুāĻŽি āĻাāĻāϤে āĻ্āώāĻŽা āϏুāĻী āĻšāĻŦাāϰ āϞাāĻি
āĻāϰ āĻāĻāύো KORāϤাāĻŽāύা āϝে āϤোāĻŽাāϝ় āĻĻোāώেāϰ āĻাāĻী
āĻাāύি āϤুāĻŽি āϏুāĻি āĻšāϤে āĻাāĻ āĻĒ্āϰāϤিāĻ্āώāύে
āĻাāĻāϞে āĻীāĻŦāύ āĻĻিāϤাāĻŽ āĻāĻŽি āϤোāĻŽাāϰ āĻĒ্āϰāϝ়োāĻāύে
āϤāĻŦু āĻেāύ āĻāĻŽাāϝ় āϏে āĻুāϞিāϝ়াāϝে āĻেāϞ
āϝে āĻāĻŽাāĻে āĻাāϞোāĻŦাāϏা āϏ্āĻŦāĻĒ্āύ āĻĻেāĻাāϞ
āϝāĻāύ āĻāĻŽি āĻāĻা āĻĨাāĻি āϤোāĻŽাāϰ āĻāĻĨা āĻŽāύে āĻāϏে
āĻāĻāĻ āĻāĻŽাāϰ āĻĻোāώ āĻŦāϞ āϏ্āĻŦāĻĒ্āύ āĻেāύ āĻĻু āĻোāĻে āĻাāϏে
āĻŦāϞি āĻŦāϞি āĻāϰে āϤো āĻŦāϞি āύাāĻ āĻāĻāĻ āĻŽāύেāϰ āϏāĻāϞ āĻāĻĨা
āĻŦāϞāϞে āĻি āϤুāĻŽি āĻাāύাāϤে āĻŽোāϰে āϤোāĻŽাāϰ āĻšৃāĻĻāϝ়েāϰ āĻŦ্āϝāĻĨা
āĻাāύি āϤোāĻŽাāϰ āϞাāĻুāĻ āĻোāĻেāϰ āĻোāύে āĻāĻŽাāϰ āĻāĻŦি āĻাāϏে
āĻŦুāĻāϤে āĻāĻŽাāϰ āĻšāϝ়āύাāϤো āĻুāϞ āϤোāĻŽাāϰ āĻĻৃāώ্āĻি āĻŽোāϰ āĻĒাāύে āϝāĻāύি āĻāϏে
āĻাāύি āĻāĻ āĻাāĻšāύিāϰ āĻŽাāĻে āĻোāύ āύা āĻোāύ āϏ্āĻŦāĻĒ্āύ āϰāϏে
āĻāĻŽাāϰ āĻšৃāĻĻāϝ়েāϰ āĻāϞ্āĻĒāϞোāĻে āĻāĻŽāύāĻ āϏুāϰেāϰ āĻāĻ্āĻাāϰ āĻŦাāĻে
āϤāĻŦু āĻেāύ āĻšāϝ় āĻŦāϞিāϤে āĻāϝ় āĻšāϝ় āĻাāĻ āϝে āϤোāĻŽাāϝ় āĻšৃāĻĻāϝ় āĻāĻীāϰে
āϤোāĻŽাāϰāĻ āĻি āĻŽāύে BOHIāϤাāĻে āϞāĻšāϰী āύāϤুāύ āĻোāύ āϏুāϰ āϧীāϰে
āĻাāύি āĻাāύি āĻāĻŽি āϤোāĻŽাāϰ āĻšৃāĻĻāϝ়েāϰ āϏ্āĻŦāĻĒ্āύে āĻŦিāĻোāϰ āĻāĻ
āϤোāĻŽাāϰি āϏ্āĻŦāĻĒ্āύ āĻāϰিāϤে āϏāĻāϞ āĻšৃāĻĻāϝ় āĻŦ্āϝাāĻুāϞ āĻুāϞেāĻি āϏāĻŦ āĻাāĻ
āĻāϏ āĻŽāϰ āϏাāĻĨে āĻšাāϤে āĻšাāϤ āϰেāĻে
āϰিāĻĒāύ āĻুāϞāĻŦোāύা āĻŽোāϰা āĻাāĻāĻে āĻāĻāύো āĻĻুঃāĻ āĻĻিāĻŦো āύা āĻোāύ āĻāύ
āĻāĻ āϤো āĻŽোāĻĻেāϰ āĻাāϞāĻŦাāϏা āĻāĻ āϏাāϰ্āĻĨāĻāϤাāϰ āϰূāĻĒ āύিāϝ়েāĻে
āĻĻুāĻāύ āĻĻুāĻāύেāϰ āĻাāϞāĻŦাāϏাāϰ āĻāϞ্āĻĒ āϝেāĻাāύে āĻļুāϰু āĻšāϝ়েāĻে
āĻāĻ āĻেāύ āĻŽāύ āĻāϤ āĻŦিāώāĻŖ্āύ āϰāϝ়
āĻāĻĒāύ āĻাāĻāĻে āĻāώ্āĻ āĻĻিāϝ়েāĻি āϝে āϤাāĻ
āĻাāύিāύা āĻāϤāĻা āĻāώ্āĻ āĻŽāύে āϏে āύিāϝ়েāĻে
āĻাāύা āĻিāϏে āĻšৃāĻĻāϝ় āϤা āĻāϤāĻা āĻĒেāϝ়েāĻে
āϏাāϰাāĻি āĻāύ āĻāĻি āĻŦিāĻŦেāĻেāϰ āϤাāĻĄ়āύাāϝ়
āĻāĻĄ় āĻŦāϝ়ে āϝাāϝ় āĻāĻŽāύ āĻāĻ āĻীāώāĻŖ āϝাāϤāύাāϝ়
āϤāĻŦু āϏে āĻি āĻŦুāĻāĻŦে āύা āĻāĻŽাāϰ āĻŽāύেāϰ āĻŦ্āϝāĻĨা
āĻāĻŽি āϤাāĻে āĻŦāϞāĻŦো āĻেāĻŽāύ āĻāĻŽāύ āĻāϰুāĻŖ āĻāĻĨা
āĻĻূāϰে āĻĨাāĻ āϏāĻŦে āĻāϏো āύা āϤো āĻাāĻে āĻāĻŽāύ āĻāĻĨা āĻি āĻŦāϞো āĻŽোāϰ āϏাāĻĨে
āĻুāϞ āĻāϰেāĻি āĻāĻŽি āϤাāĻ āĻাāύাāĻŦো āϤাāĻে
āĻŦুāĻāĻŦে āϏে āĻি āĻুāϞ āĻāώ্āĻ āĻĻিāϝ়েāĻি āϤাāĻে
āĻāĻŽি āύāĻ āĻāĻŽাāϰ āϏ্āĻŦাāϰ্āĻĨāĻĒāϰ āϝে āϤাāĻেāĻ āĻāϰāĻŦ āĻĒāϰ āϏাāĻŽাāύ্āϝ āĻুāϞেāϰ āĻাāϰāĻŖে
āĻ
āĻĨāĻ āϏে āĻāĻŽাāĻে āĻāϰে āĻĻিāϤে āĻাāĻ āĻĒāϰ āϏেāĻ āϏ্āĻŽāϰāĻŖে
āĻāĻŽি āĻি āϏāĻāϞ āϏāĻŽāϝ় āϏāĻāϞ āĻāĻĨাāϰ āĻুāϞ āϰাāĻিāϝ়াāĻি āĻŽāύে
āĻেāύ āϏে āϏāĻāϞāĻাāύে āĻ āϏāĻāϞ āĻāĻĨা āĻŽāύে āĻŽāύে āϰাāĻে āĻ
āĻিāĻŽাāύে
āĻুāϞ āϏāĻŦāĻ āĻুāϞ āϤāĻŦু āϏে āĻুāϞেāϰ āĻŽাāĻļুāϞ āĻেāύ āĻĻেāĻŦো āĻāύে āĻāύে







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